René Magritte with his composition L’evidence éternelle (The Eternally Obvious), 1930, oil on canvas, 63.25×11.5 in.
To perceive a complete nude woman is to experience her as being behind five different rectangular apertures. (Fred Halper, ‘Construals: Perceptual Occlusion in the Works of René Magritte’ Boston, Kluwer Academic Publisher, 1999.)
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